|
|
|
|
|
The Picnic
Painting ID:: 38275
|
Francisco Goya
The Picnic
mk132
1776
Oil on canvas
272x295cm
|
| |
|
|
|
|
|
|
|
|
|
The Parasol
Painting ID:: 38276
|
Francisco Goya
The Parasol
mk132
1777
Oil on canvas
104x152cm
|
| |
|
|
|
|
|
|
|
|
|
Spring
Painting ID:: 38277
|
Francisco Goya
Spring
mk132
1786-87
Oil on canvas
177x192cm
|
| |
|
|
|
|
|
|
|
|
|
Summer
Painting ID:: 38278
|
Francisco Goya
Summer
mk132
1786-87
Oil on canvas
276x641cm
Museo del Prado,
Madrid
|
| |
|
|
|
|
|
|
|
|
|
Autumn
Painting ID:: 38279
|
Francisco Goya
Autumn
mk132
1786-87
Oil on canvas
275x190cm
Museo del Prado,
Madrid
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Francisco Goya
|
|
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23). |
|
Related Artists::.
| h. olrik | Georges Gaste | ivan agueli | |
|
